{"id":26841,"date":"2024-12-09T09:32:55","date_gmt":"2024-12-09T12:32:55","guid":{"rendered":"https:\/\/fadeu.urantiacos.cl\/?p=26841"},"modified":"2024-12-10T08:45:02","modified_gmt":"2024-12-10T11:45:02","slug":"the-journal-of-the-society-of-architectural-historians-publica-positiva-critica-sobre-la-exposicion-como-disenar-una-revolucion","status":"publish","type":"post","link":"https:\/\/fadeu.urantiacos.cl\/en\/2024\/12\/09\/the-journal-of-the-society-of-architectural-historians-publica-positiva-critica-sobre-la-exposicion-como-disenar-una-revolucion\/","title":{"rendered":"Journal of the Society of Architectural Historians publica positiva cr\u00edtica sobre la exposici\u00f3n \u201cC\u00f3mo dise\u00f1ar una revoluci\u00f3n\u201d"},"content":{"rendered":"\n

<\/p>\n\n\n\n

La extensa rese\u00f1a, que incluye im\u00e1genes de la exposici\u00f3n, fue realizada por el profesor Rodrigo P\u00e9rez De Arce (Arquitectura UC). En su texto analiza las implicancias de la muestra dedicada al dise\u00f1o gr\u00e1fico e industrial durante el gobierno del presidente Salvador Allende. La exposici\u00f3n fue realizada en el Centro Cultural La Moneda entre septiembre de 2023 y enero de 2024, cont\u00f3 con la asistencia de 38.000 personas e incluy\u00f3 entre sus piezas la primera reconstrucci\u00f3n integral y funcional de la sala de operaciones Cybersyn.<\/p>\n\n\n\n

\u201cComplementing, or perhaps counteracting, the political subtexts, the emphasis on design and its sheer visual richness placed this exhibition firmly within the realm of an aesthetic experience. (\u2026) Together with a scattering of salvaged objects, this was probably the most extensive public assembly of such items to date\u201d.<\/p>\n\n\n\n

\u201cMuch of what was exhibited\u2014whether messages, tools, goods, or management plans\u2014was directed at agricultural and industrial workers and their communities, including marginalized groups who lived in widespread poverty\u201d.<\/p>\n\n\n\n

\u201cThe full-scale replica of the Command Center, the so-called Opsroom, which was designed to manage production flows, took the exhibition to another level, in terms of both experience and content. The public was invited to share in the space\u2019s unique atmosphere and see part of the physical infrastructure implemented for a cybernetic plan that was itself a daring experiment at the forefront of the digital revolution. (\u2026) The meticulously reconstructed setting had the feel of an old-fashioned science fiction film set.\u201d<\/p>\n\n\n\n

Durante el a\u00f1o 2024 la exposici\u00f3n ha sido reconocida tambi\u00e9n en art\u00edculos de revistas como Technology and Culture, Plot, KoozArch, ARQ, L’Architecture d’aujourd\u2019hui, Fazer, Creative Review y New York Review of Architecture.<\/p>\n\n\n\n

Informaci\u00f3n sobre la rese\u00f1a en JSAH:<\/p>\n\n\n\n

https:\/\/online.ucpress.edu\/jsah\/issue\/83\/4<\/a><\/p>\n\n\n\n

https:\/\/online.ucpress.edu\/jsah\/article-abstract\/83\/4\/553\/203815\/Como-disenar-una-revolucion-La-via-chilena-al?redirectedFrom=fulltext<\/a><\/p>\n\n\n\n

La exposici\u00f3n cuenta con el libro How to Design a Revolution: The Chilean Road to Design<\/em>, publicado en Z\u00farich por Lars M\u00fcller Pubishers durante 2024. Informaci\u00f3n sobre el libro en:<\/p>\n\n\n\n

https:\/\/www.lars-mueller-publishers.com\/how-design-revolution<\/a><\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n


Informaci\u00f3n period\u00edstica:
Escuela de Dise\u00f1o<\/p>\n","protected":false},"excerpt":{"rendered":"

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