{"id":21597,"date":"2024-05-22T10:40:44","date_gmt":"2024-05-22T13:40:44","guid":{"rendered":"https:\/\/fadeu.urantiacos.cl\/?p=21597"},"modified":"2024-05-22T10:40:48","modified_gmt":"2024-05-22T13:40:48","slug":"new-york-review-of-architecture-publica-entrevista-sobre-el-libro-how-to-design-a-revolution","status":"publish","type":"post","link":"https:\/\/fadeu.urantiacos.cl\/en\/2024\/05\/22\/new-york-review-of-architecture-publica-entrevista-sobre-el-libro-how-to-design-a-revolution\/","title":{"rendered":"New York Review of Architecture publica entrevista sobre el libro \u201cHow to Design a Revolution\u201d"},"content":{"rendered":"\n

New York Review of Architecture, reconocida revista de arquitectura de Estados Unidos, public\u00f3 en su \u00faltimo n\u00famero de mayo-junio una extensa entrevista a Hugo Palmarola, Eden Medina y Pedro Alonso. La entrevista trata sobre las implicancias de su libro \u201cHow to Design a Revolution. The Chilean Road to Design\u201d. El n\u00famero 40 de la revista fue lanzado el 4 de mayo en Nueva York en un evento al que asistieron 300 personas.<\/p>\n\n\n\n

La entrevista titulada \u201cMeans and Ends\u201d fue realizada por Polina Godz, investigadora y dise\u00f1adora de Jacobin Magazine. New York Review of Architecture public\u00f3 adicionalmente a doble p\u00e1gina uno de los carteles m\u00e1s destacados de la oficina de dise\u00f1o de los hermanos Larrea, cartel dedicado a la protecci\u00f3n de la infancia que tambi\u00e9n forma parte del libro. La entrevista completa se encuentra disponible en: https:\/\/nyra.nyc\/articles\/means-and-ends<\/a><\/p>\n\n\n\n

El libro de Palmarola, Medina y Alonso hab\u00eda sido presentado recientemente en Estados Unidos, durante marzo en la Universidad de Columbia en Nueva York, dentro de The University Seminar on Latin America perteneciente a The Institute of Latin American Studies, as\u00ed como en MIT en Cambridge Massachusetts, dentro de MIT Morningside Academy for Design. Instancias acad\u00e9micas de postgrado dedicadas al trabajo interdisciplinario donde el libro fue considerado una contribuci\u00f3n a la comprensi\u00f3n de un per\u00edodo hist\u00f3rico fundamental. Sobre actividades en Columbia y MIT: https:\/\/fadeu.urantiacos.cl\/2024\/03\/18\/academicos-uc-y-mit-lanzan-libro-how-to-design-a-revolution-en-mit-y-universidad-de-columbia\/<\/a><\/p>\n\n\n\n

\u201cHow to Design a Revolution\u201d es un libro de distribuci\u00f3n global publicado por Lars M\u00fcller Publishers (Zurich, 2024). Se trata del primer libro de an\u00e1lisis integral sobre el dise\u00f1o industrial y gr\u00e1fico durante el gobierno del presidente Salvador Allende, considerado uno de los casos m\u00e1s significativos de dise\u00f1o en Latinoam\u00e9rica y el mundo. Sobre el libro: https:\/\/www.lars-mueller-publishers.com\/how-design-revolution<\/a><\/p>\n\n\n\n

Extractos de la entrevista en New York Review of Architecture:<\/strong><\/p>\n\n\n\n

Eden Medina:<\/strong><\/p>\n\n\n\n

\u201cOne of the things that Hugo, Pedro, and I have consistently said is that we are not using design as a way to illustrate the Unidad Popular period\u2014we are looking to design because it shows what the period was. \u201cHow to design a revolution\u201d is a provocative question that remains open and still has relevance today. We wanted to take a historical perspective to that question and use it as an opportunity to study what people did. How were small groups of Chileans working in government offices, in factories, in workshops, looking to design as a tool among many to try to bring about peaceful socialist change?\u201d<\/p>\n\n\n\n

\u201cMost designers were motivated and encouraged by public policies. They were responding to something that was wider than themselves in very interesting and creative ways, and that\u2019s something that\u2019s only possible within democracy. Without the democratic context, you wouldn\u2019t have that freedom to design in such an avant-garde way\u201d.<\/p>\n\n\n\n

Hugo Palmarola:<\/strong><\/p>\n\n\n\n

\u201cThe Chilean case is rather important because it\u2019s a turning point in two ways. It\u2019s the first time in the world that people tried to bring about a socialist and Marxist revolution through democracy. And then, with the coup, it\u2019s the first time that such a project is destroyed and replaced by neoliberal policies. With Chile experiencing those two situations in a span of three years, it\u2019s a rather fundamental case study to understand how these dynamics played out\u201d.<\/p>\n\n\n\n

\u201cThe subtitle of the book implies that we are discussing a specific road that is different from other roads; it\u2019s a specifically Chilean road to socialism. Taking that sentence as a starting point, we end up with the Chilean road to design. The history of Chilean design in this period is one of the most significant cases of design in Latin America and the world, especially if we consider it within the context of the Cold War. It was a project that dared to challenge the poles of American capitalism and of Soviet socialism to create an unprecedented alternative\u201d.<\/p>\n\n\n\n

Pedro Alonso:<\/strong><\/p>\n\n\n\n

\u201cWe are concerned with designs made for a lot of people and designed by collectives. That is quite different from the conventional canon of design history, which is typically concerned with the heroes of design who made unique objects. We\u2019re talking about supplying people with a large number of goods for their well-being. Within the Chilean context, the plan was to make only a few models that would last longer. That is totally the opposite of what is going on today, especially within capitalist models, where the plan is always to make a lot of several different models that are short-lived and frequently replaced\u201d.<\/p>\n\n\n\n

\u201cThere\u2019s this idea that, for example, Cybersyn was utopian or technoutopian. But the thing is that it was built, it existed, and it was about to be implemented. It was even used prior to the 1973 coup. What would\u2019ve happened with it? Of course, it\u2019s a matter of speculation, but the certain thing is that we don\u2019t know, because it was destroyed by the coup. It didn\u2019t fail on its own. It was not a utopia; it was a topos, meaning it actually existed. The objects in the book don\u2019t merely represent the period; they present it. They\u2019re not things that could have happened; they did happen\u201d.<\/p>\n\n\n\n

Polina Godz:<\/strong><\/p>\n\n\n\n

\u201cIt sounds like the Chilean context made it possible for designs to exist beyond mere theory. There was ability to make things possible. It seems that one of the reasons that some of the Ulm School designers were drawn to Chile was that, while they could have stayed in Germany and continued to create these theoretical projects, in Chile there was a way for them to make them reality. Often in left politics, we talk about art and design as ways to imagine the futures that might be possible. But in Chile, art and design were made tangible\u201d.<\/p>\n\n\n\n

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Informaci\u00f3n period\u00edstica:
Escuela de Dise\u00f1o<\/p>\n","protected":false},"excerpt":{"rendered":"

New York Review of Architecture, reconocida revista de arquitectura de Estados Unidos, public\u00f3 en su \u00faltimo n\u00famero de mayo-junio una extensa entrevista a Hugo Palmarola, Eden Medina y Pedro Alonso. La entrevista trata sobre las implicancias de su libro \u201cHow to Design a Revolution. The Chilean Road to Design\u201d. El n\u00famero 40 de la revista […]<\/p>\n","protected":false},"author":3,"featured_media":21599,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1],"tags":[547,1443,51],"class_list":["post-21597","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-sin-categorizar","tag-eden-medina","tag-how-to-design-a-revolution","tag-hugo-palmarola"],"acf":[],"yoast_head":"\nNew York Review of Architecture publica entrevista sobre el libro \u201cHow to Design a Revolution\u201d - Facultad de Arquitectura, Dise\u00f1o y Estudios Urbanos<\/title>\n<meta name=\"description\" content=\"New York Review of Architecture, reconocida revista de arquitectura de Estados Unidos, public\u00f3 en su \u00faltimo n\u00famero de mayo-junio una extensa entrevista a\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/fadeu.urantiacos.cl\/en\/2024\/05\/22\/new-york-review-of-architecture-publica-entrevista-sobre-el-libro-how-to-design-a-revolution\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"New York Review of Architecture publica entrevista sobre el libro \u201cHow to Design a Revolution\u201d - 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